In part 2 of this 2 part Getting Started with Spatial Mic tutorial series, you will learn how to use the Spatial Mic Control app and Spatial Mic Converter plugin to help dial in the perfect recordings from Spatial Mic. Finally, we’ll give some ideas on going further once you’ve mastered the basics.
The Spatial Mic Control app provides remote manipulation of various hardware parameters on Spatial Mic. Spatial Mic Control communicates with the microphone through the same USB cable used to supply power and stream audio data. Spatial Mic Control replicates the hardware controls found on Spatial Mic itself and adds additional functionality.
With Spatial Mic plugged into your Mac OSX or Windows host computer, simply launch Spatial Mic Control. You will see the following interface:
Spatial Mic Control provides the following functionality:
Adjusts the gain of capsules before analog to digital conversion. Optimize mic gain so that the capsule signal is not clipping. Changes made to this control will be reflected in Mic Gain mode on the microphone itself.
Rotating the control to the left increases the amount of live microphone signal in the mix, while rotating the knob to the right increases the amount of stereo host playback in the mix. This adjustment only affects the stereo audio signal sent to the headphone output. Changes made to this control will be reflected in Mix mode on the microphone itself.
Adjusted level of headphone signal present on microphone HP output. Changes made to this control will be reflected in HP mode on the microphone itself.
Mutes the signal coming from microphone capsules. This button functions the same as long pressing the knob on the front of Spatial Mic.
Changes what is shown on the Spatial Mic LED display (persists when mic is power cycled). When powering up Spatial Mic, the LED display will show a turn-on sequence and then display the last metering mode selected with Spatial Mic Control. The metering modes that may be selected are:
- Off – no metering or LEDs on
- Monitor – LEDs display stereo L-R mix of Live binaural monitoring and host device playback.
- Capsule (Factory Default) – LEDs display signal level for the 8 capsules. If audio from a capsule clips, it’s corresponding LED will turn red for 3 seconds. This is an indication that you may need to decrease capsule gain.
The Spatial Mic Converter Plugin
Now that we can record and control the microphone, let’s dive into the controls for the Spatial mic Converter Plugin. The Spatial Mic Converter plugin transforms the audio signals from Spatial Mic to a format useful for audio production. To accomplish this, Spatial Mic Converter uses an internal 64-channel frequency dependent filter matrix measured in an anechoic chamber.
Spatial Mic Converter offers the capability to change the microphone’s aim at the point in space where the audio was recorded. This is useful when aligning audio position with 360 video, or aiming the mic at a specific sound that should be in front of the listener.
The audio output from Spatial Mic Converter can be first or second order ambisonics in AmbiX or Fuma. Audio can then be sent to a variety of plugins from Facebook 360, SSA, Blue Ripple Sound and others for further processing.
The filters in Spatial Mic Converter are specific to the raw signals from Spatial Mic and as such are only valid for Spatial Mic. Spatial Mic Converter should be the first plugin in your signal chain when processing the raw signals from Spatial Mic.
Once Spatial Mic Converter is inserted on a track with enough channels for Second Order Ambisonics (9) you should see the following user interface:
There are 3 main sections to the Graphical User Interface.
This section displays and allows user input to change mic orientation, rotation, filter and more.
Shows the unprocessed level with clip indication for each of the 8 capsules.
Shows the processed output level with clip indication. Channel ordering changes based on output format selection.
Spatial Mic Converter provides the following functionality:
Two filters are available, allowing for a tonal choice. In general, the Type 2 filter selection will have a more pronounced proximity effect vs Type 1, but leave it to your ears to decide.
Options: Type 1, Type 2, Custom (64-channel .wav expected)
Tilts the Spatial Mic recording direction up and down. Rotation and roll are maintained when tilting.
Rotates the Spatial Mic recording direction left and right. Tilt and roll are maintained when rotating.
Rolls the Spatial Mic recording direction side to side. Tilt and rotation are maintained when rolling.
Actives a high pass filter at 150Hz, useful to cut wind noise or other low frequency sources.
Match the orientation picture to the corresponding real-life position of the microphone.
Normal: The Spatial Mic capsule array is aimed up.
End-Fire: The Spatial Mic capsule array is aimed forward.
Inverted: The Spatial Mic capsule array is aimed down.
Controls input level. Plugin processing may increase the signal level. If output meters clip, you may need to reduce trim.
Selects the output type. Match this to the input type of the next plugin in the signal chain. Note that the output types differ in channel count, ordering and level weighting.
Options: ambiX 2nd Order, ambiX 1st Order, FuMa 2nd Order, FuMa 1st Order
In this two part tutorial we have explored recording audio with Spatial Mic via USB to a computer. We’ve learned how to encode (Spatial Mic Converter Plugin) and decode (FB360 Converter) audio, remotely control Spatial Mic hardware and manipulate our audio scene with Spatial Mic Converter plugin.
For some, this may be all that is needed before syncing 3D audio to video.
If your interest lies in using Spatial Mic along with other microphones, you may want to explore the possibilities of using ADAT light-pipe to connect to an audio interface. There are many hardware boxes and converters on the market from various manufacturers that will allow you to convert from ADAT to analog or other types of digital interfaces.
Spatial Mic sounds great recording instruments like guitar, piano, drums, or any situation where a stereo mic may be used. Using something like the Blue Ripple Sound O3A Virtual Microphone plugin inserted directly after the Spatial mic Converter plugin will allow you to decode to stereo. Adjust the width and spin the stereo image around to find your recording sweet spot – even after the fact. Using stereo decoding in this manner makes it easy to incorporate audio from Spatial Mic in a more traditional mixing and recording session. Check out these samples of Spatial Mic in a studio setting:
We will dive deeper into advanced microphone techniques in future articles. What would you like to read more about? Feel free to reach out on social media or by email to let us know.