- Voyage Audio
Studio Recording With Spatial Mic Dante
Read moreExplore a recording captured using 6 Spatial Mic Dante’s networked together – FREE Pro Tools & Reaper session downloads…
- Voyage Audio
Introducing Spatial Mic Dante
Read moreIntroducing Spatial Mic Dante – 8 capsules for 2nd order ambisonics, Dante audio networking with remote configuration, software and…
- Voyage Audio
NAMM 2022 – Booth 11832 Hall A
Read moreVisit us at booth 11832 in Hall A! Voyage Audio is thrilled to be back at the NAMM Show 2022 on June 3rd-5th at the Anaheim Convention Center. We are excited to show our 2nd Order Ambisonics microphone and will have a demonstration showcasing a studio session recorded with Spatial Mic. We will also be announcing a new product and
- Voyage Audio
Spatial Mic Converter Plugin Update: Surround Sound Outputs including 7.1.2 and more!
Read moreVoyage Audio is proud to announce Spatial Mic Converter v1.3.0 — an update that allows users to decode the output from Spatial Mic’s 8 capsule array to various surround formats like 7.1.4, 5.1.2, and 5.1. The surround outputs can be used for sound bed tracks in Dolby Atmos® sessions or routed directly to the surround bus of choice. Purchase options are
- Voyage Audio
Using Reaper To Create Polyphonic WAVs From Stereo Stems
Read moreSpatial Mic is a 2nd order ambisonic microphone that outputs eight channels of audio over USB and ADAT light pipe. One channel of audio for each capsule in the microphone. Depending on which application you are recording with you may only have the option of recording to mono or stereo tracks. For example, when recording Spatial Mic with an iPhone
- Voyage Audio
Cubase Pro 11 with Spatial Mic USB
Read moreCubase has come a long way from its first release as a MIDI sequencer in 1989 and it continues to stay ahead of the curve with spatial audio tools. Cubase Pro 11 is the current version that unlocks the configuration and routing settings required for higher order ambisonics. If you don’t already have Cubase Pro, you can download a free
